We began with an exercise in black and white. So far, so good, b&w is my comfort zone. Nancy gave us a list of widths to cut and sew together, and we were set loose to make a composition out of the pieces. I started out working horizontally.
That was Monday. On Tuesday (into Wednesday), we began piecing together colors in prescribed assortments (warm/cool, neutrals, neutrals and brown, brown with blue, etc.) and ratios. We were exhorted to do 16 of these. I managed 12, one of which (the rust and purple one near the bottom) was not on the list. I had confused and combined two instructions -- not the most auspicious start.
Wednesday into Thursday, we were to do another 14 or so assortments of "bold graphic prints", plaids, and stripes. I HATE plaid and refused to get any even for the purpose of the class. I made do with some batik and brights. I may have added 4 or so fabrics to the 12 from the first exercise.
Adding and subtracting and shifting things up, down, across, and around on the design wall, by midnight or so I had this:
A somewhat coherent something with a big hole in the middle. I could not resolve the void, so I gave up and went to bed. First, for levity's sake, I filled the hole with one possibility:
(That's a scrap paper label stating: "Your Name Here." My mind was not the only thing that wouldn't come into focus . . .)
Friday. Fresh perspective. At breakfast I had an idea that amounted to "retreat to your comfort zone: go for b&w." As I was working, I was uneasy about the T-shaped purple bit, but Nancy said, "Keep that. It makes the whole piece." She also was complimentary about the use of b&w to resolve the center. Okay then, be it resolved:
Midday on Thursday, we got the final instruction: create a composition in the form of a ribbon quilt. Damn and blast!, I thought. If I had known we were going to make a ribbon quilt, I'd have approached the whole piecing exercise completely differently. Which, I realized in the next moment, is the point of not knowing.
Onward. Sorted and pinned things, hoping for a composition to emerge. I am very fond of that sparrow-color gradation of brown and gray at the top, but it didn't make it into the final piece.
Onward. Sorted and pinned things, hoping for a composition to emerge. I am very fond of that sparrow-color gradation of brown and gray at the top, but it didn't make it into the final piece.
(That's a scrap paper label stating: "Your Name Here." My mind was not the only thing that wouldn't come into focus . . .)Friday. Fresh perspective. At breakfast I had an idea that amounted to "retreat to your comfort zone: go for b&w." As I was working, I was uneasy about the T-shaped purple bit, but Nancy said, "Keep that. It makes the whole piece." She also was complimentary about the use of b&w to resolve the center. Okay then, be it resolved:
It was 5.30 on Friday. I had made it through -- and finished something -- and was jumping up and down chortling:"I survived Nancy Crow!" She had the grace to smile.
Saturday, I went to an exhibition of Nancy's work at the Schweinfurth Center in Auburn, and then I came home -- with renewed enthusiasm and a great deal to think about. I think this is going to be the event I look back at and say "That's where it all changed and came together."
